The Criterion Collection
Jun 27, 2019 — Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.
Jun 26, 2019 — Boasting the longest, most versatile career of any Czechoslovak New Waver, the late master made films mixed with deep compassion and an antiauthoritarian spirit.
Jun 24, 2019 — A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...
The Daily
May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.
The Daily
May 20, 2019 — While a few find the family drama heavy-handed, most critics are enthusiastically cheering on Loach’s latest competition entry.
The Daily
May 18, 2019 — Diop’s debut fiction feature is a love story, a detective story, and a ghost story.
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.