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American Movie

Jan 29, 2001 Invisible monsters suck out your brains! And that’s just for starters.

The Blob

Essays

Nov 13, 2000 Featuring what may be the only 1950s monster that could not be destroyed, this cult classic warns parents to listen to their kids because the world they understood and controlled is over.

Oct 30, 2000 Perry Henzell’s reggae-infused outlaw film reflects the political climate of the times, when anti-government movements were sweeping America and the world.

Hamlet

Essays

Sep 18, 2000 Reviewing Laurence Olivier’s 1948 film of Hamlet, James Agee—then a critic at Time—wrote: “The man who brings Hamlet, his friends, and his antagonists to life has tackled one of the most fascinating and most thankless tasks in show business. ....

Seven Samurai

Essays

Nov 22, 1999 Breathtaking, fastmoving, and overflowing with a delightfully self-mocking sense of humor, Akira Kurosawa’s Seven Samurai is one of the most popular and influential Japanese films ever made. Released in 1954, this rip-snorting action-adventure epic about a sixteenth-century farm community led...

Peeping Tom

Essays

Nov 15, 1999 Michael Powell’s controversial late film makes the cinema spectator’s own voyeurism shockingly obvious.

The Third Man

Essays

Nov 8, 1999 In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...

Brazil

Essays

Sep 27, 1999 While researching a book on the making of and the feud over the American release of Terry Gilliam’s Brazil, I read nearly every review published in the U.S., and saw very few that failed to describe the story as “futuristic”...

Sep 6, 1999 The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...

Nov 23, 1998 Harold Shand, the London crime boss at the center of The Long Good Friday, is more than an antihero. He’s the Antichrist, uniting bourgeoisie and barbarians in a simultaneous Pax and Pox Brittanica. With the “legitimate” help of cops and...

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