The Criterion Collection
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Feb 22, 2018 — Bengali cinema icon Uttam Kumar stars as a matinee idol on the brink of failure in this deeply introspective meditation on art and fame.
On the Channel
Jan 23, 2018 — With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
Jun 15, 2016 — Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.
Short Takes
May 24, 2016 — “I always thought of musicians as being the saints of our time,” says documentary filmmaker D. A. Pennebaker in a recent interview for the New York Times on the subject of his 1967 vérité portrait of Bob Dylan Dont Look...