After the war

Jul 16, 2025 — Opening in New York this week, the program is heading next to Austin, Seattle, Los Angeles, and Vancouver.

Jul 3, 2025 — The week wraps with Peter Wollen on Performance, a top ten from Radu Jude, and a conversation with Dag Johan Haugerud.

May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

Aug 17, 2020 — Louise Brooks, Oliver Stone, James Stewart, Andy Warhol, and more are here to help relieve this year’s summer doldrums.

Jul 29, 2025 — MoMA presents new restorations of three films from Germany and four from Hollywood.

Jun 30, 2023 — This week’s highlights include conversations with Boots Riley and Lucrecia Martel and a new triple issue of Offscreen.

Oct 23, 2017 — “Meet the new hotshots of American filmmaking,” offers the Observer, stacking four profiles on one page. Tim Lewis gets Dee Rees talking about Mudbound (“The mud wasn’t free!”) and going with Netflix: “I think Netflix are disrupters and maybe they...

Jul 25, 2017 — Venice Days, “modeled on the prestigious Directors’ Fortnight of the Cannes Festival and promoted by the associations of Italian film directors and authors (Anac and 100autori),” has announced the lineup for its fourteenth edition, running from August 30 through September...

Mar 28, 2023 — Described by director Joan Micklin Silver as “a kind of weird romantic comedy,” this defiantly ambiguous exploration of amour fou presents its obsessive antihero in all his contradictions.