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A Time and a Place

Jun 29, 2017 Dorothy B. Hughes’s 1947 novel In a Lonely Place, “about a World War II flyboy, now a serial rapist and murderer, would have violated just about every commandment in the Production Code,” had Nicholas Ray and screenwriter Andrew Solt stuck...

Jun 10, 2017 On Wednesday, Martin Scorsese, in partnership with the Pan African Federation of Filmmakers and UNESCO, officially launched the African Film Heritage Project. The Film Foundation, founded and chaired by Scorsese, will take part in the restoration of fifty African films....

May 19, 2017 Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...

Feb 6, 2017 In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.

Apr 19, 2016 In Whit Stillman’s second feature, cousins Fred and Ted Boynton (Chris Eigeman and Taylor Nichols) navigate an occasionally hostile culture and their own late transitions to adulthood.

Jul 7, 2015 Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...

Feb 26, 2015 The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.

Aug 18, 2014 The director explains the inspiration for his provocative erotic comedy, and how he dove into it even before finishing his previous movie.

May 6, 2014 This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.

Apr 27, 2014 A leading light of commedia all’italiana, Dino Risi specialized in fleet, satirical takes on contemporary Italian culture, and this road-trip smash was his most trenchant.

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