The Criterion Collection
Dec 16, 2008 — Science-fiction drama, western, love story, metaphysical mystery, and satire of modern America, Nicolas Roeg’s beguiling film established him as a mainstream heir to such 1960s experimentalists as Alain Resnais, Jean-Luc Godard, and Chris Marker.
Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.
Essays
Nov 23, 2008 — Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his characters in particular and for people in general.
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Nov 16, 2008 — Chungking Express (1994) was the Masculin féminin of the 1990s, a pop-art movie about cool twentysomethings looking for love in the city that has replaced Paris as the center of the world-cinema imagination. What Jean-Luc Godard did for “the children...
"Life caught unawares," that's how Soviet filmmaker Dziga Vertov defined the principle and art of documentary in the thirties. Yet the documentary has taken so many forms over the past century that it is too simple to call it the...
Is it a genre, a movement, a fashion statement? However one defines noir, its appeal never seems to wane.
Oct 27, 2008 — Variety reported today that Mike Nichols is getting ready to direct a remake of Akira Kurosawa’s beloved 1963 thriller High and Low, from a new screenplay by David Mamet, and likely to be executive produced by Martin Scorsese, who originally...
Candy-colored, lush, lurid—all words that have been used to describe the glory of Technicolor.
Oct 21, 2008 — TECHNICOLOR, ROME—What a day! After spending the morning with Antonio Salvatori, the original color timer on Rosi’s The Moment of Truth and Antonioni’s Identification of a Woman, we were lucky enough to run into the great master Giuseppe Rotunno, who...