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Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Jun 10, 2021 — As the festival presents its program to the public, now is a good time to discover the bounty at the Forum’s newly revamped site.

Jun 9, 2021 — As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

Jun 9, 2021 — Lois Weber was Hollywood’s leading female director in the 1910s and 1920s. But also: she was one of the great directors of the silent era regardless of gender, a filmmaker of remarkable vision who exerted an exceptional degree of creative...

Jun 9, 2021 — Critics welcome the big-screen version of Lin-Manuel Miranda’s hit musical as a celebration of the return of the movies.

Jun 7, 2021 — The Cannes sidebar focusing on promising newcomers presents its sixtieth-anniversary selection.

Jun 4, 2021 — The festival returns with a full-to-bursting official selection that includes an entirely new program.

Jun 1, 2021 — Valeria Sarmiento and the Chilean production company Poetastros have launched a campaign to complete Raúl Ruiz’s Socialist Realism.

May 28, 2021 — This week: Anarchy on screen, a pre-Code barroom brawl, an essay on Julie Dash, and conversations with Jia Zhangke and Sergei Loznitsa.

May 27, 2021 — First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...