HIM

Jan 25, 2018 — “Few filmmakers earn the adjective ‘offbeat’ as definitively as the Zellner brothers, David and Nathan, whose new Western (premiering at Sundance), Damsel, is a goof on the genre in which no trope is left unmolested and nothing goes the way...

Jan 25, 2018 — With the recent passing of Hugh Masekela, we’re looking back at the South African jazz luminary’s unforgettable performance in Monterey Pop.

Jan 24, 2018 — Wildlife, an adaptation of Richard Ford’s 1990 novel, “finds Paul Dano transporting his usual reserve as a performer (bellowing country preachers excepted) from one side of the camera to the other,” writes the A.V. Club’s A. A. Dowd. “Set in...

Jan 24, 2018 — One of the most memorable sequences in the silent classic People on Sunday explores the experience of being photographed and the tension between still and moving images.

Jan 23, 2018 — Made during the German occupation of France, these beguiling films showcase Claude Autant-Lara at the height of his powers.

Jan 22, 2018 — “The last time Debra Granik had a film at Sundance, it was the masterful Ozark coming-of-age thriller Winter’s Bone, which won Oscar nominations and introduced the world to a certain young actress named Jennifer Lawrence.” Bilge Ebiri in the Village...

Jan 22, 2018 — “It is a part he was born to play, and he does it with exactly the right kind of poignantly ruined magnificence,” begins the Guardian’s Peter Bradshaw. “Rupert Everett has written, directed and starred in this gripping drama about Oscar...

Jan 22, 2018 — Twenty-three titles have now been set for the Competition of the sixty-eighth Berlin International Film Festival, and the Berlinale’s promising twenty-four. So while we await the mystery title, here are the five that have been added today, along with another...

Jan 21, 2018 — “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...

Jan 21, 2018 — “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to screen in this...