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Come svaligiammo la banca d’Italia

Jun 24, 2014 In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.

Jun 23, 2014 Peter Davis’s provocative, Oscar-winning Hearts and Minds, released to the American public in 1974, is that rare documentary whose truths and relevance have been underlined and amplified by the passage of time. The title is derived from President Lyndon B....

Jun 16, 2014 Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.

Jun 5, 2014 Repertory Picks San Francisco moviegoers beware—the king of the monsters is stomping into town this weekend. Ishiro Honda’s 1954 classic Godzilla (a.k.a. Gojira) plays at the city’s legendary Castro Theatre on Sunday, June 8. Many remakes and imitators have come...

Jun 5, 2014 The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

May 30, 2014 The long relationship between director and festival has never been without its complications.

May 27, 2014 Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.

May 19, 2014 As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.

May 14, 2014 The author recalls his meetings and correspondence with the uncompromisingly independent British director.

May 13, 2014 Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...

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