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Chihayafuru: Part I

Jan 24, 2023 Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Jan 24, 2023 The German contingent is strong: Margarethe von Trotta, Christian Petzold, Angela Schanelec, Christoph Hochhäusler, and Emily Atef.

Jan 6, 2023 The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).

Pairing Ozus

The Daily

Dec 14, 2022 Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”

Dec 10, 2022 Screening the Past returns, Another Screen presents films from Iran, and Céline Sciamma talks about the thirtieth greatest film of all time.

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

November Books

The Daily

Nov 23, 2022 Featured in this month’s roundup: Maya Deren, Joyce Chopra, Michael Almereyda, Nabokov, Pasolini, and Miyazaki.

Nov 21, 2022 Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”

Driven to Create

The Daily

Nov 11, 2022 This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.

Nov 4, 2022 New Senses of Cinema! We’re also reading about John Garfield, Anna Karina, Asghar Farhadi, and Mike Leigh.

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