The Criterion Collection
Features
Apr 29, 2024 — From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.
The Daily
Apr 26, 2024 — The Official Selection is complete, Classics celebrates twenty years, and beyond Cannes, summer events are lining up.
The Daily
Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.
Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.
Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.
The Daily
Apr 12, 2024 — Names in the news this week: Alain Delon, John Akomfrah, Francis Ford Coppola, Vera Drew, Charles Burnett, and Miles Davis.
The Daily
Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.
The Daily
Apr 10, 2024 — Oksana Karpovych’s second feature juxtaposes images of a ravaged Ukraine with the voices of Russian soldiers.
Apr 2, 2024 — The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.
The Daily
Mar 25, 2024 — Retrospectives in London and Hong Kong and a screening in Ghent are devoted to the work of the Spanish director.