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Nov 21, 2017 Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.

Nov 11, 2017 Andrei Tarkovsky’s Stalker (1979), written by Boris and Arkady Strugatsky and based on their 1972 novel Roadside Picnic, screens tomorrow and Tuesday as part of The Strugatsky Brothers on Film, a series running through November 21 at Anthology Film Archives...

Nov 7, 2017 “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...

Nov 2, 2017 In the Village Voice, Bilge Ebiri looks back to the day in 1992 when, as a college freshman, he dropped everything, skipped his classes, and took a train from New Haven to New York to see a movie: Orson Welles’s...

Oct 31, 2017 In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony Perkins) cleans...

Oct 27, 2017 This has to be one of the most tentative “in the works” roundups yet. The top three items relate to projects that may never be realized, but they’re certainly intriguing enough to make note of here.Mark Frost, for example, who...

Oct 19, 2017 Danielle Darrieux, who turned 100 on May 1 and appeared in over 110 films, perhaps most famously in three directed by Max Ophuls, has passed away, reports the AP.“Unlike most branded stars whose appeal can be captured in one well-chosen...

Chicago 2017

The Daily

Oct 12, 2017 The Chicago International Film Festival opens tonight with Reginald Hudlin’s Marshall and runs through October 26, when it closes with Guillermo del Toro’s The Shape of Water, which won the Golden Lion in Venice (reviews).“Some biopics go for sweeping and...

Oct 8, 2017 The New York Film Festival presents BPM (Beats Per Minute) tonight and tomorrow, and we begin with Jordan Cronk, writing for Cinema Scope: “A sprawling yet affectingly personal portrait of a group of Parisian activists and ACT UP members in...

Oct 6, 2017 “After a number of impressive short films and one documentary hybrid feature, the 2013 Tonight and the People, French artist Neïl Beloufa offers Occidental, the closest he’s yet come to a conventional feature film,” begins Michael Sicinski, writing for Cinema...

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