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Performance.

Aug 11, 2023 Back in the early 1980s, people were still trying to figure hip-hop out.Now in its fiftieth year, this cultural movement built by DJs, rappers, break dancers, and graffiti writers began in New York, spreading from the South Bronx to the...

Aug 8, 2023 Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.

Aug 7, 2023 The BFI calls Saltburn, starring Barry Keoghan, “a beautifully wicked tale of privilege and desire.”

Aug 3, 2023 Starting Friday, New York’s Metrograph will screen new restorations of Gueule d’amour (1937) and The Strange Mister Victor (1938).

Jul 28, 2023 This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

Jul 25, 2023 The protagonists in Budd Boetticher’s five classic Columbia westerns are paired with opponents who, venal though they may be, almost always have their reasons.

Jul 25, 2023 In his five collaborations with actor Randolph Scott and producer Harry Joe Brown, Boetticher presents an unsentimental vision of honor-bound men competing and banding together in a desolate landscape ruled by chance.

Jul 12, 2023 The award-winning actor talks about training with Lee Strasberg, her involvement in the Actors Studio, and her on- and off-screen contributions to two of her most important films.

Jul 11, 2023 In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.

May 24, 2023 Two of Cannes’s favorite directors, Aki Kaurismäki and Wes Anderson, return to the competition.

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