One, Two, Three

Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.

Sep 7, 2018 — F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...

Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.

Aug 20, 2018 — A survey of some of the most notable titles to have appeared over the summer.

Aug 15, 2018 — More Galas and Special Presentations, but also the full Masters, Wavelengths, and Contemporary World Cinema lineups.

Aug 13, 2018 — Looking back on the highlights of the seventy-first edition.

Aug 10, 2018 — Plus artwork by Orson Welles, short films by Frank Mosley, and the week’s greatest thread on Twitter.

Aug 9, 2018 — Toronto will host the world premieres of Michael Moore’s Trump documentary and David Gordon Green’s Halloween reboot.

Aug 8, 2018 — The concrete bunker looms up surreally from the rolling green countryside, a huge brutalist fortress sprouting from a hillside thick with wildflowers. This is the Library of Congress’s National Audio-Visual Conservation Center in Culpeper, Virginia, also known as the Packard...

Aug 8, 2018 — The selection of thirty films features highlights from Cannes, Locarno, Venice, and Toronto.