The Criterion Collection
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Jun 21, 2018 — I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...
The Daily
Jun 20, 2018 — A Motion Selfie is a wryly comic silent film made by a crew of one.
Essays
Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...
Jun 17, 2018 — “The music for A Woman Under the Influence is basically about love,” says Bo Harwood, the longtime collaborator of John Cassavetes’s who composed that film’s score. “It’s about loving somebody, loving your family, loving them no matter what.” This purity of emotion...
Sneak Peeks
Jun 15, 2018 — Coming up at the turn of the seventies, Philippine filmmaker Lino Brocka made a name for himself directing nine studio movies—many of them melodramas and romances that proved popular with local critics and audiences—in the span of just two years....
The Daily
Jun 11, 2018 — New on the shelves this season are volumes on David Lynch, Stanley Kubrick, and Ernst Lubitsch.
Jun 11, 2018 — Building on a rich lineage of gothic fairy tales and noirish melodramas, this lavishly stylized curio has an ominous beauty all its own.
Jun 8, 2018 — San Francisco’s festival of experimental film prompts a new taxonomy from Michael Sicinski.
Short Takes
Jun 8, 2018 — On a rainy Saturday in May that called to mind the foggy Pacific Northwest atmospheres of Twin Peaks, a crowd gathered at the music venue Brooklyn Steel for a journey through the world of David Lynch. Celebrating its third annual...