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The First Year

Sep 4, 2012 Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...

Aug 28, 2012 A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.

Aug 14, 2012 The Dardennes threw down the gauntlet for a new type of unadorned dramatic storytelling with their breakthrough tale of a working-class boy’s fraught coming-of-age.

Jul 26, 2012 Sometimes a giggle catches on and produces more giggles. This is evidenced here by twenty-three-year-old Chloë Sevigny, as she barely gets through an interview with David Letterman wherein she is pressed for info on Harmony and an upcoming trip to...

Jul 24, 2012 Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.

Jul 14, 2012 Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as  Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...

Jun 18, 2012 Theater’s ultimate autobiographer, Spalding Gray, and cinema’s invisible-man auteur, Steven Soderbergh, teamed up for an eye-opening movie monologue.

Apr 17, 2012 When it was first released in 1977, ¡Alambrista! depicted something previously unseen in American fiction films—the lives of undocumented Mexican immigrants from their point of view. Though writer-director-cinematographer Robert M. Young was not Latino and didn’t speak Spanish, his film convincingly...

Mar 9, 2012 The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.

Feb 21, 2012 Rainer Werner Fassbinder’s only work of science fiction, World on a Wire (1973) is surely one of the most obscure items among the forty-odd titles that constitute his filmography. Originally a two-part miniseries broad­cast on West German television, it had...

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