The Criterion Collection
Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.
The Daily
Jan 31, 2024 — MoMA presents a series of musicals, comedies, and melodramas injected with Buñuel’s singular surrealist vision.
The Daily
Jan 30, 2024 — Metrograph will screen Kimi Takesue’s study of tourism in Laos and stream her two previous features as well.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
On the Channel
Jan 29, 2024 — Get ready for Valentine’s Day with a collection of otherworldly love stories, and celebrate Black History Month with a selection of films exploring African American history.
The Daily
Jan 26, 2024 — We gather essays and interviews related to series spotlighting Ousmane Sembène, Serge Daney, Skip Norman, Iranian cinema, and the Oscars.
The Daily
Jan 25, 2024 — Best known for In the Heat of the Night and Moonstruck, Jewison also directed spectacular musicals, heist thrillers, and courtroom dramas.
The Daily
Jan 24, 2024 — Neon’s latest Sundance acquisition is a ghost story told by the ghost.
The Daily
Jan 23, 2024 — Jason Schwartzman and Carol Kane star in the story of a cantor who has lost his wife, voice, and will to live.
Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.