What a Way to Go!

Feb 26, 2019 — He gave us some of the greatest musicals ever made and followed up with winning comedies, romances, and thrillers.

Feb 5, 2018 — This year marks the 200th anniversary of the publication of Mary Shelley’s Frankenstein; or, The Modern Prometheus, the occasion for Jill Lepore’s outstanding piece in this week’s New Yorker: Frankenstein is four stories in one: an allegory, a fable, an...

Jan 22, 2018 — “In The Tale, an early critical favorite at this year’s Sundance Film Festival and a drama of uncommonly troubling power, Laura Dern plays Jennifer Fox, a documentary filmmaker trying to remember an experience that befell her at the age of...

Jan 21, 2018 — “Although the Hollywood star Dorothy Malone, who has died aged ninety-three, appeared in only a handful of works of distinction in a fairly lengthy career, they were good enough to secure her place in film history,” writes Ronald Bergan for...

Jan 16, 2018 — The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.

Jul 26, 2017 — “The rarely screened Le gai savoir (1969), translated as ‘Joy of Knowing’ in the 2K restoration that makes its world premiere at the Quad on Friday, exemplifies a typical Godardian paradox,” writes Melissa Anderson in the Village Voice. “Profuse and...

Jun 7, 2017 — The Spanish filmmaker, whose short film Mystery is featured on the Criterion Channel, discusses his love for Luis Buñuel and the influence of Catholicism on his worldview.

May 17, 2017 — Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...