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The Way Way Back

Jan 6, 2003 “No one would claim that Lubitsch’s German films were more important than his American ones (cf. Fritz Lang).” This was Richard Roud’s response to my piece “Ernst Lubitsch: German Period” in his Cinema: A Critical Dictionary. One could indeed ask...

Peeping Tom

Essays

Nov 15, 1999 Michael Powell’s controversial late film makes the cinema spectator’s own voyeurism shockingly obvious.

Oct 24, 2025 It is hard to conceive of a film more dazzlingly, dizzyingly divided against itself—or one more appropriately so—than this delirious creation of screenwriter Paddy Chayefsky and director Ken Russell.

Plymptopia

Features

Sep 1, 2020 It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...

Jun 18, 2020 When Jamie Babbit’s But I’m a Cheerleader made its theatrical premiere in July 2000, it was entering a queer political landscape vastly different from the one we live in today. Over the last two decades, we’ve witnessed the rise of LGBTQ...

Apr 17, 2017 Artist and writer Dash Shaw chats with us about first discovering René Laloux’s 1973 sci-fi masterpiece and its lasting influence on his own illustration style.

Nov 25, 2014 More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.

Dec 11, 2013 This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.

Nov 20, 2012 Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.

Why Che?

Essays

Jan 18, 2010 Steven Soderbergh’s Che depicts the two military campaigns that defined the rise and fall of Ernesto “Che” Guevara, hero of the Cuban Revolution, who became in death a global icon of militant leftism—and of inchoate adolescent rebellion. As the latter,...

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