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The Past

Oct 12, 2010 Ingmar Bergman’s Ansiktet (1958)—the title literally translates as The Face, though in North America it was released as The Magician—is arguably one of his most underrated achievements. Its undeservedly lowly standing may perhaps be attributed to its chronological position in...

Jul 6, 2020 The latest short film to take the spotlight on the Criterion Channel, Marnie Ellen Hertzler’s Dirt Daughter emerged from the collaboration of a vibrant community of artists. Not only was it produced by the innovative collective the Eyeslicer, which supports...

Nov 4, 2014 In cinema history, there truly is no gag like a Tati gag.

Apr 6, 2010 In “the cinema of flourishes”—as scholar David Bordwell once memorably characterized the long and grand tradition of Japanese filmmaking—few flourish makers have flown so high as Takeo Kimura, longtime Seijun Suzuki collaborator and art director extraordinaire, who died recently at...

Mar 24, 2025 At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.

Jun 28, 2024 Alain Guiraudie and Angela Schanelec discuss their new films, Albert Serra opens an exhibition, and Paul Schrader gets ranked.

Jan 29, 2024 Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Sep 28, 2022 Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.

Oct 3, 2017 In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...

Jun 1, 2015 A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.

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