The Criterion Collection
Oct 12, 2010 — Ingmar Bergman’s Ansiktet (1958)—the title literally translates as The Face, though in North America it was released as The Magician—is arguably one of his most underrated achievements. Its undeservedly lowly standing may perhaps be attributed to its chronological position in...
Jul 6, 2020 — The latest short film to take the spotlight on the Criterion Channel, Marnie Ellen Hertzler’s Dirt Daughter emerged from the collaboration of a vibrant community of artists. Not only was it produced by the innovative collective the Eyeslicer, which supports...
Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.
Short Takes
Apr 6, 2010 — In “the cinema of flourishes”—as scholar David Bordwell once memorably characterized the long and grand tradition of Japanese filmmaking—few flourish makers have flown so high as Takeo Kimura, longtime Seijun Suzuki collaborator and art director extraordinaire, who died recently at...
Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
The Daily
Jun 28, 2024 — Alain Guiraudie and Angela Schanelec discuss their new films, Albert Serra opens an exhibition, and Paul Schrader gets ranked.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.
Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...
Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.