The Criterion Collection
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.
Essays
Jan 14, 2009 — Gregory Nava, with his writing partner and producer, Anna Thomas, made the courageous decision to tell their story of a cold-war battleground from the point-of-view of the colonized “natives,” eschewing an English-speaking protagonist.
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Jan 21, 2008 — Lindsay Anderson’s adaptation of David Storey’s novel is a clenched fist of a movie that follows a professional Rugby League player who instinctively channels feeling through physical aggression.
Essays
Apr 6, 1993 — Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.
The Daily
May 20, 2026 — There’s zero consensus when it comes to the latest films by Na Hong-jin and Cristian Mungiu.
The Daily
May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.
The Daily
Mar 7, 2024 — The Austin festival presents action-heavy Headliners, creepy Midnighters, and promising Competition contenders.
The Daily
Feb 17, 2023 — This week: Mike Leigh in the 1980s, a trip to Ghibli Park, and Apichatpong Weerasethakul on virtual reality.
Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.