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† From Now On

Jun 17, 2014 The brutal lessons of Vietnam remained in America’s national consciousness for a generation. September 11 gave us collective amnesia, and they’ve had to be learned again.

Working with Jack Davis

Criterion Designs

Jan 22, 2014 When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...

Sep 25, 2013 Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.

Jul 31, 2012 Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.

Jul 6, 2012 Samuel Fuller wrote this extraordinary “interview” piece shortly after White Dog was completed. It appeared in issue 19 of the journal Framework in 1982, with this introduction: “The director of Paramount’s White Dog interviewed the title actor of the movie...

Jun 1, 2012 Though his career was devastatingly brief, Jean Vigo was able to leave behind many unforgettable images that have joined the cinematic pantheon. One of them is undoubtedly Zéro de conduite’s boarding-school insurrectionists in pajamas, whooping it up in slow motion...

Jun 22, 2011 Theresa Russell is attracted to the very things that repel most actors. In 1976’s The Last Tycoon, her first movie (and Elia Kazan’s last), she is unafraid of seeming to do very little. Young actresses like to show you they...

Aug 24, 2010 Josef von Sternberg’s The Last Command (1928) was first and foremost a star vehicle for Emil Jannings, the internationally known, Swiss-born actor, who had left Germany in October 1926 to work for Paramount Pictures. During his two and a half...

Apr 27, 2009 Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.

Jan 16, 2007 The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.

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