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These Three

Apr 23, 1990 Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.

Swing Time

Essays

Mar 12, 1990 This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

Show Boat

Essays

Dec 18, 1989 Jerome Kern and Oscar Hammerstein II’s musical was the first to present a panoramic history of America from the Mississippi levees of the 1880s to the Broadway of the 1920s.

Rashomon

Essays

Jun 25, 1989 Three men seek shelter from the rain under the ruined gate of the ancient city of Kyoto. There is nothing to do but talk, about a topic which torments two of the wayfarers, who have just been witnesses in a...

Jan 11, 1989 Thursday, March 2, 1944—the United States is in its third year of war with the Axis powers. More than 12 million Americans are fighting on various fronts; the German armies are being repulsed at Anzio and the newspapers have large...

Nov 14, 1988 It is sometimes as important to be in touch with the truths of your own time as it is to be in touch with its metaphors. 2001: A Space Odyssey, one of the most influential films ever made, constructed a...

Jun 13, 1988 G. W. Pabst lends humanity and depth to his adaptation of a play by Bertolt Brecht—one of the last great works of German cinema's richest period.

Jan 11, 1988 Alfred Hitchcock committed a shocking murder in Sabotage (1936). Here, in one of the director’s darkest works, a child unknowingly carrying a bomb is blown to pieces in the streets of London. The death of Stevie is a deliberate attempt...

Nov 17, 1986 The best of all the Spencer Tracy/Katharine Hepburn comedies, Adam’s Rib is as fresh and topical today as it was in 1949 when it was first released. Written by Ruth Gordon and Garson Kanin and directed by George Cukor, this...

Lola Montès

Essays

Nov 10, 1986 Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.

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