49th Parallel

Essays

Dec 9, 1990 Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.

Sep 24, 1990 Imagine Hitchcock’s Psycho told from the point of view of its title character, and you have a rough idea of Taxi Driver. This riveting 1976 film is at once a thriller, a psychological case study, an exploration of the eroticism...

Dec 18, 1989 Billy Wilder’s comedic genius is on full display in this beloved classic starring a never-better Marilyn Monroe and Tony Curtis, who spends most of the film in drag.

Dec 18, 1989 When Tootsie opened in December, 1982, the ad copy read: “In the next 72 hours this desperate, unemployed actor will secretly audition for the female lead of a soap opera.”  That was the plot line to the movie even when...

Show Boat

Essays

Dec 18, 1989 Jerome Kern and Oscar Hammerstein II’s musical was the first to present a panoramic history of America from the Mississippi levees of the 1880s to the Broadway of the 1920s.

L’avventura

Essays

Dec 11, 1989 Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

The River

Essays

Sep 4, 1989 Unintentionally, Jean Renoir’s India-set drama had become an early example of the dissolution of plot critics would hail ten years later in L’avventura.

Apr 3, 1989 If the notion of “fiftes science-fiction films” conjures up pictures of scantily clad women defending their virtue against rubber-suited aliens, it is not for want of exceptions. MGM’s Forbidden Planet remains the most remarkable of these, a glossy, relatively high-budget...

The Blob

Essays

Mar 6, 1989 This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

Mar 4, 1989 Alec Guinness used his new-found prominence and clout to initiate a long-cherished ambition, to bring Joyce Cary’s most famous novel to the screen.

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