See Through

Aug 17, 2017 — “My first job out of UCLA Film School, at age twenty-two, was directing second unit on The Night of the Hunter for Charles Laughton.” So begins a collection of memories, pre-production sketches, and screenplay pages at the Talkhouse Film from...

Aug 16, 2017 — French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.

Aug 14, 2017 — A “collection of new image-making practices, technologies, and conditions of viewing embody a new era of the cinematic,” writes Holly Willis for the Los Angeles Review of Books. “And right along with these changes, a spate of recent books arrives...

Aug 12, 2017 — At Shadowplay, David Cairns has posted David Melville Wingrove’s tribute to Conchita Montenegro, whose career in theater and film took her around the world from the late 1920s through the mid-40s. Her “triumphant final film” would be the 1944 Spanish...

Aug 10, 2017 — Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...

Aug 8, 2017 — “The gaffers and grips, the electricians and sound men, all the technicians begin to mill about briskly on the thick-sodded grass adjacent to the ice-rimed children’s wading pool. Even the park’s casual strollers, walking their diarrheic poodles and mastiffs, begin...

Aug 8, 2017 — “Mrs. Géquil is a delicate woman, at least in the eyes of her patronizing husband (played by José Garcia) as well as, perhaps, in the eyes of her boss and the vast majority of the students in her class,” begins...

Aug 7, 2017 — The big news to catch up with here is the launch of Film Critic: Adrian Martin, “almost 20 years, on and off, in the making.” Adrian Martin has been writing essential film criticism for four decades now, and what’s collected...

Aug 7, 2017 — Todd Haynes is working on a documentary about the Velvet Underground, reports Variety’s John Hopewell. Speaking in Locarno, where he’s receiving the Pardo d’onore Manor for career achievement, Haynes says that he’ll “rely certainly on Warhol films but also a...

Aug 5, 2017 — “Two gloriously muscled bodybuilders eye each other with distrust, envy and contempt at the gym in Denis Côte’s A Soft the Skin.” That’s one of the moments from the first days of this year’s Locarno Festival that has stuck with...