The Criterion Collection
Jun 23, 2003 — Ermanno Olmi’s seldom-cited debut feature, the 1958 Time Stood Still, is a wonderful film, but it was the one-two punch of his second and third films that put him on the international movie scene map. Il Posto and I Fidanzati...
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.
Apr 28, 2003 — The fourth installment in François Truffaut’s Antoine Doinel saga is a comedy about marriage, the desire to escape it, and the craftiness involved in running from one’s own desires.
Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
Essays
Oct 29, 2001 — Peter Medak’s stinging satire is unashamedly theatrical, emerging from a fascinating period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.
Essays
Jun 4, 2001 — Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.
Essays
Aug 28, 2000 — In what is arguably his most popular and enduring feature, W. C. Fields nails the American tendency to inflate one’s importance.
Essays
Dec 31, 1999 — As a tour de force of screen acting, Autumn Sonata stands unchallenged as the finest work of Ingmar Bergman’s last few years as a movie director. Fanny and Alexander may have won the Oscars, but Autumn Sonata represents Bergman’s chamber...
Essays
Nov 23, 1998 — Paul Morrissey’s gory comedy may be sensationally shlocky, yet it explores profound ideas about sexual liberty, individualistic freedom, and the commodification of everyday life.