Come and See

Nov 4, 2021 — So far, the Museum’s programmers have selected nearly twenty films that they believe “will stand the test of time.”

Mar 6, 2020 — Above photo: © Chuck Stewart Photography, LLCIn America, black musical genius has never been in short supply, though it hasn’t always been recognized or fairly compensated. Even a casual glance at the résumé of formally trained composer, producer, and arranger...

Jul 30, 2018 — Adaptations of Wuthering Heights have been a mixed bag.

Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.

Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.

Dec 26, 2017 — On January 5, First Look 2018 will open at the Museum of the Moving Image in New York with the U.S. premiere of Blake Williams’s PROTOTYPE, “a work of speculative fiction that takes its starting point from the 1900 hurricane...

Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.

Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...

May 7, 2013 — Blame it on the Madison. Or blame it on Arthur, Franz, and Odile’s gleeful race through the Louvre in an attempt to break the world record (held by an American, of course) for the quickest visit ever. Blame it on...

Nov 6, 2012 — When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...