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Blacksmithing Scene

Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.

Feb 18, 2013 — Performances Hiroshima mon amour (1959) is a groundbreaking portrait of a world come undone. Even more memorably, thanks to the brilliant precision of Emmanuelle Riva’s performance, it’s a study of a woman unraveling. In this first leading role in an...

Feb 14, 2013 — David Bordwell and Kristin Thompson’s textbook Film Art, a cornerstone of the cinema studies discipline, was first published in 1979 and is now in a tenth edition. Over the years, some sections have been taken out, either to make room...

Feb 12, 2013 — The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.

Feb 5, 2013 — Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.

Lena Dunham in Boston

In Theaters

Jan 30, 2013 — Repertory PicksThanks to the mega success of her award-winning HBO series Girls, now in its second season, Lena Dunham seems to be everywhere lately. Next up is Boston. On February 6, Dunham will be at the Museum of Fine Arts...

Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.

Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.

Jan 15, 2013 — Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.

Gettin’ Hitched

In Theaters

Jan 10, 2013 — Repertory Picks Starting this weekend and running through April 24, the Pacific Film Archive in Berkeley will be highlighting the vast career of Alfred Hitchcock, from his early British films to his later Hollywood thrillers. This Saturday, January 12, they’re...

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