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Jun 14, 2021 — Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.

Jun 14, 2021 — Audiences immediately connected with the character actor who could hint at a deviant intent a behind an amiable smile.

Jun 11, 2021 — We’re watching new restorations and assessing the states of Bollywood and the modern musical.

Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Jun 10, 2021 — As the festival presents its program to the public, now is a good time to discover the bounty at the Forum’s newly revamped site.

Jun 9, 2021 — As part of Criterion’s team of digital-restoration artists, it’s my job to make dusty old films look polished and new again, like the first time they were ever screened for the public. This process is akin to photo retouching, but...

Jun 9, 2021 — Critics welcome the big-screen version of Lin-Manuel Miranda’s hit musical as a celebration of the return of the movies.

Jun 8, 2021 — The selection features new work from Joanna Hogg, Clio Barnard, Jonas Carpignano, Radu Muntean, and Peter Tscherkassky.

Jun 7, 2021 — The Cannes sidebar focusing on promising newcomers presents its sixtieth-anniversary selection.

Jun 4, 2021 — We’re catching up with the new issues of Bookforum, the Brooklyn Rail, and Field Notes and delving into the work of Bill Gunn and Tsai Ming-liang.