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A Day Off

BIFAs and Indies

The Daily

Dec 2, 2019 — For Sama is the surprise winner at the the British Independent Film Awards, and John Waters picks his favorite films of 2019.

Moods and Memes

The Daily

Aug 9, 2019 — This week we’re revisiting the work of Ida Lupino, Nicholas Cage, Juraj Herz, Spike Jonze, and more.

Jun 28, 2019 — This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.

Really, HFPA?

The Daily

Jan 7, 2019 — Critics are fine with the actors who’ve won Golden Globes this year—as for the films they appear in, not so much.

Mar 14, 2018 — “How could I have written a longish book on 1940s Hollywood and have devoted so little space to Casablanca?” asks David Bordwell. The book is Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, and “I suppose I neglected Warners’ evergreen...

The Listing Begins

The Daily

Dec 3, 2017 — On Friday, John Waters, as tradition demands, officially launched this year’s list-making season with his 2017 top ten for Artforum. He’s included work by filmmakers as varied as Bertrand Bonello, Woody Allen, and Christopher Radcliff and Lauren Wolkstein, and coming...

Oct 23, 2017 — “Meet the new hotshots of American filmmaking,” offers the Observer, stacking four profiles on one page. Tim Lewis gets Dee Rees talking about Mudbound (“The mud wasn’t free!”) and going with Netflix: “I think Netflix are disrupters and maybe they...

Sep 27, 2017 — The fifty-fifth edition of the New York Film Festival opens tomorrow and runs through October 15. In his latest “Cinema ’67 Revisited” column for Film Comment, Mark Harris looks back at the fifth edition, noting that “Susan Sontag began her...

Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.

Jun 12, 2017 — “As incredible as it seems,” write Cristina Álvarez López and Adrian Martin in the new issue of Sight & Sound, “Philippe Garrel, at the precocious age of 16, had already sketched most of the now familiar elements of his cinematic...

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