When a Man Loves

Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.

Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.

Apr 24, 2024 — In this early-career gem from one of the most beloved Japanese animation directors of all time, an extravagant sci-fi narrative is anchored by the transcendent power of young love and poignant observations of modern life.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).

Jan 31, 2023 — In this shape-shifting exploration of creativity, couplehood, and artistic influence, Mia Hansen-Løve offers a glimpse at the existential heavy lift required by her deceptively simple autofictions.

Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

Jan 13, 2020 — A key figure of the Czechoslovak New Wave, Passer went on to direct a classic American neonoir.