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When a Man Loves

Mar 8, 2024 This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.

Jun 22, 2023 Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).

Jan 31, 2023 In this shape-shifting exploration of creativity, couplehood, and artistic influence, Mia Hansen-Løve offers a glimpse at the existential heavy lift required by her deceptively simple autofictions.

Mar 30, 2022 Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

Jan 13, 2020 A key figure of the Czechoslovak New Wave, Passer went on to direct a classic American neonoir.

Jun 26, 2019 Boasting the longest, most versatile career of any Czechoslovak New Waver, the late master made films mixed with deep compassion and an antiauthoritarian spirit.

Jarmusch Season

The Daily

Jun 4, 2019 Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.

Jun 29, 2018 The festival’s fifty-third edition also features the latest from Radu Jude and a tribute to the Austin Film Society.

Jun 17, 2018 The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...

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