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Mar 12, 2020 Canceled festivals and closed movie theaters: The impact has been tough, and screenwriter Scott Z. Burns (Contagion) discusses what we should be doing next.

Aug 7, 2023 In a tribute to Elvis Presley that aired on Turner Classic Movies, Kurt Russell says that “an Elvis movie is always worth watching because of Elvis.” This insight gets at a core truth about a much maligned and mostly dismissed...

Apr 28, 2022 For half a century, the Indian documentarian has won accolades abroad while fighting censorship at home.

Apr 19, 2022 Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Jan 31, 2022 Movies are about looking, and no one involved in the making of a film is more directly responsible for the frames we look at than a cinematographer, or director of photography. Together with the director, the cinematographer shapes the visual...

Sep 23, 2019 Acclaimed filmmaker Rian Johnson has made a career out of retrofitting genres to his own imaginative specifications. After novel spins on the gumshoe neonoir (Brick) and the time-travel thriller (Looper), the writer-director launched into space—and won a much wider audience—with...

Sep 20, 2019 In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...

Jul 16, 2019 When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...

Nov 28, 2018 Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...

May 1, 2014 When Walter Wanger conceived the movie that would become Riot in Cell Block 11, he wasn’t thinking in terms of pop culture. The longtime independent film producer, with classics (and Criterion releases) such as Stagecoach and Foreign Correspondent to his...

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