The Criterion Collection
Essays
Apr 2, 2009 — Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...
On the Channel
Dec 12, 2023 — Channel Calendars Kick off the new year with a new favorite movie! There’s plenty to choose from in January, including a heap of catnip for fans of film felines, a spotlight on classic screen siren Ava Gardner, the gripping New...
The Daily
May 23, 2023 — Anatomy of a Fall, May December, and About Dry Grasses are among the critical favorites in competition in Cannes.
The Daily
Dec 16, 2021 — Whether their lists run to ten or fifty films, critics argue their cases for the films they’ve put on top.
Nov 2, 2021 — Federico Fellini’s earliest masterpiece is a story of despair and optimism, cruelty and salvation, that occasioned the director’s ascent to stardom.
Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.
Jun 24, 2020 — It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).
Feb 28, 2020 — Flashbacks Had Jörn Donner been born anywhere other than Finland, he would have been world-famous. As it was, he dominated the Finnish cultural scene for several decades. Prolific writer, film critic, director, and producer, as well as a politician and...
The Daily
Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.
Sep 10, 2009 — Is That Hamilton Woman, starring Vivien Leigh and Laurence Olivier at their most heart-stoppingly beautiful and mutually enraptured, one of the most romantic movies ever made because or in spite of the fact that it was designed as propaganda? It...