The Criterion Collection
Nov 13, 2012 — With this frenetic cinematic fresco, Pasolini began his Trilogy of Life and its forays into a world as yet unspoiled by capitalism.
Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.
Oct 2, 2012 — Set in 1960s Hong Kong, Wong Kar-wai’s ravishing masterpiece is both a love song to a city and a human romance of epic intimacy.
Essays
Oct 4, 2011 — Pier Paolo Pasolini’s work demonstrates an aversion for the present while simultaneously suggesting the impossibility of escaping it, and thus the need to confront it.
Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.
Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.
Feb 3, 2009 — Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
May 19, 2008 — Top fashion models bleeding from sharp-edged aluminum dresses. A comic-strip American superhero oozing stigmata. A naked couple electrically zapped for the delectation of the TV-viewing public. These are some of the images from the fiction films of American expatriate in...
Essays
Aug 20, 2007 — David Mamet’s debut film was a welcome throwback to the primacy of character and careful story construction, at a time when narrative intricacy was in short supply on American movie screens.