The Criterion Collection
Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...
Features
Apr 3, 2020 — Everyone remembers their first time with Toshiro Mifune. With almost anyone else, such a first would be recollected with a shrug or a casual “it was . . . fine.” But Mifune induces delirious and perfect recall: of him flat...
The Daily
Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.
Jan 28, 2025 — The first of eight collaborations between actor James Stewart and director Anthony Mann centers on a prize rifle that ends up being both a magical object and a cursed one, sending every man who possesses it to a doomed fate.
The Daily
Nov 22, 2023 — Quite an emotional range this week, from musicals and romantic comedies to the terror of nuclear war.
The Daily
May 22, 2026 — This week brings a look back at Cronenberg’s Crash and conversations with Boots Riley and Wallace Shawn.
The Daily
Apr 14, 2026 — New films from Radu Jude, Clio Barnard, Lisandro Alonso, and Alain Cavalier are headed to Cannes.
Jul 6, 2012 — Samuel Fuller wrote this extraordinary “interview” piece shortly after White Dog was completed. It appeared in issue 19 of the journal Framework in 1982, with this introduction: “The director of Paramount’s White Dog interviewed the title actor of the movie...