The Criterion Collection
Essays
Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.
The Daily
Aug 18, 2025 — Further winners in Locarno include White Snail, God Will Not Help, and Tales of a Wounded Land.
Apr 16, 2024 — Unfolding in elaborately choreographed long takes, this sublime adaptation of László Krasznahorkai’s novel The Melancholy of Resistance captures the weight of time and the mood of fascism with a haunting palpability.
Dec 12, 2023 — In the history of cinema, French director Albert Lamorisse is a unique figure. His intense focus on three subjects—children, animals, and flight—is distinctive, and the fact that all of his works clock in under ninety minutes (and most under an...
Features
Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...
The Daily
Jun 27, 2023 — Along with revivals and fresh experimental work, the festival presents some of the best films of the year so far.
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
The Daily
Jul 11, 2022 — Three Iranian filmmakers are arrested while another wins the top award in Karlovy Vary.
The Daily
Oct 20, 2021 — The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.
The Daily
Jul 8, 2021 — Some critics find it better than Synonyms, and while others don’t, everyone agrees that this is the Israeli director’s “most radical movie yet.”