Take My Eyes

Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

Nov 22, 2022 — Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.

Nov 22, 2022 — Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.

Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.

Sep 27, 2022 — Darius Marder’s Oscar-nominated drama captures the isolation and despair of a man who suddenly goes deaf and struggles in vain to regain his former life.

Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.