Steal

Jun 21, 2022 — “The best actors in the world,” he once said, “are those who feel the most and show the least.”

May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

May 13, 2022 — The director of We’re All Going to the World’s Fair reflects on the transformative power of a Sonic Youth needle drop in Olivier Assayas’s 1996 film.

May 11, 2022 — Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.

Apr 19, 2022 — Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Dec 1, 2021 — So far, most critics have been gung ho, but a few are expressing reservations.

Oct 22, 2021 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. Americans have long been encouraged to buy into the...

Sep 27, 2021 — Denzel Washington and Frances McDormand star in Coen’s first feature as a solo director.

Sep 10, 2021 — A political thriller, a batch of musicals, conversations with Steve Buscemi, and Sarah Maldoror’s Sambizanga are among this week’s highlights.

Sep 7, 2021 — When Breathless opened in the U.S., the New York Times announced the arrival of “a hypnotically ugly new young man by the name of Jean-Paul Belmondo.”