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Someone You Loved

Jun 25, 2012 For this Edinburgh-based writer and filmmaker, Hitchcock’s Scottish caper is both fantasy and reality.

Feb 7, 2011 Death looms over the films of Hirokazu Kore-eda. His first fiction feature, Maborosi (1995), is a quiet study of bereavement, about a young woman struggling to move on after her husband’s inexplicable suicide. In After Life (1998), a supernatural fable...

Nov 25, 2010 Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.

Aug 18, 2010 Before Marcel Camus’ Black Orpheus showed up on American and European screens in 1959, what would later be known as the “art film” came in only a few shades of glum: Bergmanesque existentialism, Japanese samurai tragedy, stories of Italian peasant...

Dec 21, 2009 Me and Orson Welles is the latest film from director Richard Linklater (Slacker, Dazed and Confused). Set in late-1930s New York, it’s both a nuanced, entertaining look at Orson Welles’s early career as founder of the Mercury Theater and a...

Dec 1, 2009 Mick Jagger’s former assistant remembers the joy and chaos of touring with the Stones.

Oct 29, 2009 In the spirit of the season, we asked a select coven of horror mavens (including a couple of our own) to write about their favorite Criterion scarefests. Chuck StephensEquinox: The Eyebrows of Mr. Asmodeus There are myriad ways into Equinox,...

Apr 2, 2009 Writing the screenplay with Suzanne Schiffman, I intended to do for the theater what I had done for the cinema in Day for Night: the chronicle of a troupe at work, within a framework respecting the unities of place, time,...

Bottle Rocket

Essays

Nov 23, 2008 The possession of a real voice is always a marvel, an almost religious thing.

Jules Dassin, 1911–2008

Production Notes

Apr 1, 2008 As a generation of artists passes, the deaths often seem to come eerily close together, amplifying their individual achievements. In the past couple of weeks, we’ve lost The Naked City screenwriter Malvin Wald, then the incomparable Richard Widmark, and now...

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