The Criterion Collection
Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.
The Daily
Jun 27, 2024 — This year’s edition offers discoveries, restored classics, and plenty of star power.
Jun 21, 2024 — An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.
Essays
Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.
The Daily
Jan 24, 2024 — Neon’s latest Sundance acquisition is a ghost story told by the ghost.
The Daily
Nov 7, 2023 — For cinephiles in New York and Los Angeles, MoMA curators have selected some of the year’s most enduring films.
The Daily
Feb 22, 2023 — Siblings mourn the parents they’ve lost in new films from Dustin Guy Defa, Philippe Garrel, and Susana Nobre.
The Daily
Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.
Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.
The Daily
May 26, 2022 — The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.