The Criterion Collection
Apr 27, 2014 — A leading light of commedia all’italiana, Dino Risi specialized in fleet, satirical takes on contemporary Italian culture, and this road-trip smash was his most trenchant.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Aug 26, 2013 — From the beginning, it was clear that Rainer Werner Fassbinder was destined to shake up German cinema.
Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.
May 21, 2013 — It’s tough to tell where reality ends and fiction begins in Haskell Wexler’s deft chronicle of a turbulent era.
Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Essays
Apr 17, 2012 — Maybe it is something to do with the sensual seductiveness of cinema: as new-millennium Americans, we care nothing for Japanese poetry, little for Japanese painting and fiction, and certainly too much for Japanese cartoons, and yet Yasujiro Ozu, the least...
Feb 21, 2012 — Rainer Werner Fassbinder’s only work of science fiction, World on a Wire (1973) is surely one of the most obscure items among the forty-odd titles that constitute his filmography. Originally a two-part miniseries broadcast on West German television, it had...