The Criterion Collection
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Oct 20, 2008 — Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.
Production Notes
Apr 1, 2008 — As a generation of artists passes, the deaths often seem to come eerily close together, amplifying their individual achievements. In the past couple of weeks, we’ve lost The Naked City screenwriter Malvin Wald, then the incomparable Richard Widmark, and now...
Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.
Oct 24, 2005 — Hideo Gosha’s swordplay drama captures rebellion against the Japanese feudal system, pitting its twin protagonists against each other but also, together, against the very notion of authority itself.
Essays
Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...
Essays
Sep 23, 2002 — René Clair’s early sound film is an iconic vision of lower-class Paris bursting with charm and romance.
Essays
Apr 26, 1999 — At some point in their lives, probably every sleepless person has switched on the TV in the wee hours of a weekend morning and chanced upon a fishing show. Invariably, a beefy, half-forgotten retired athlete shares a boat with some...