Movie Movie

Nov 13, 1991 — Richard Lester’s Help! was the first of a new kind of rock-and-roll movie which altered the shape, face, and form of rock music. Before Help!, most of the rock-and-roll genre movies were simple, self contained films conceived in the narrowest...

Mar 11, 1991 — Lawrence Kasdan’s second directorial effort is a story about the sixties generation's idealism—as well as his most personal movie.

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Feb 11, 1990 — Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.

Dec 15, 1986 — It has been estimated that one out of four feature films made in America before the mid-1960s was a western. Since approximately 35,000 features were released in this country in the 70 years after the introduction of film, this would...

The host of Track Star and Public Opinion talks about why The Last Waltz is the greatest concert movie ever made, praises Aki Kaurismäki’s singular sense of humor and visual style, and selects some his favorite melodramas, including Written on...

The actor selects classic Hollywood favorites starring Cary Grant, reminisces about working at the Silent Movie Theater in Los Angeles and talks about idolizing Bette Davis’s iconic performances.

An X-ray of corporate America; an existential noir thriller; four pre-Code movie musicals; a gonzo revenge thriller; a psychologically complex western; a nearly wordless comedic achievement; and a benchmark of independent cinema.

The actor and director praises Iranian cinema legends Abbas Kiarostami and Jafar Panahi, shares why he considers Luis Buñuel to be “the grand master of cinema,” and reminisces about spending his childhood at the movie theater.

Both a midnight-movie icon and an art-house visionary, this groundbreaking auteur created a surreal and singular style that blends midcentury nostalgia and nightmare expressionism.