The Criterion Collection
Sep 10, 2009 — Is That Hamilton Woman, starring Vivien Leigh and Laurence Olivier at their most heart-stoppingly beautiful and mutually enraptured, one of the most romantic movies ever made because or in spite of the fact that it was designed as propaganda? It...
Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.
Dec 16, 2008 — Science-fiction drama, western, love story, metaphysical mystery, and satire of modern America, Nicolas Roeg’s beguiling film established him as a mainstream heir to such 1960s experimentalists as Alain Resnais, Jean-Luc Godard, and Chris Marker.
Feb 11, 2008 — Though today he is most fondly remembered for his later romantic comedies, typifying Hollywood filmmaking in its heyday, it should be known that Ernst Lubitsch was also a pioneer of the modern movie musical.
Jan 21, 2008 — Agnès Varda seizes the kind of immediacy and tension associated, at the start of the sixties, with the cinema verité documentary movement and uses it to create a new form of fiction.
Sep 3, 2007 — Aconversation, a misunderstanding. The basic pattern in many of Jim Jarmusch’s films is two characters, sometimes three, bound together by chance and wandering along toward an ill-defined goal, each trying all the while to get to know the other or...
Aug 13, 2007 — Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.
Essays
Jun 25, 2007 — Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez