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La Ley Del Monte

Kier-La Janisse is a film writer, producer, and acquisitions executive for Severin Films. She is the author of Cockfight: A Fable of Failure (2024), House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films (2012/2022),...

The acclaimed band talks about Japanese films about family, the rock music in Beyond the Valley of the Dolls, and a festival viewing experience of Carnival of Souls.

Nov 6, 2025 In the run-up to the release of Jay Kelly, the American Cinematheque presents a five-film series.

Tsai and Lee in LA

The Daily

Jul 30, 2024 Tsai Ming-liang and Lee Kang-sheng will be on hand for a fourteen-film American Cinematheque retrospective.

Jul 15, 2024 Caden Mark Gardner and Willow Catelyn Maclay’s new book assesses the history and future of transness in cinema.

Jun 6, 2023 The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.

Ozu in NYC and LA

The Daily

Nov 8, 2019 Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.

Apr 20, 2019 The latest installment of the Criterion Channel’s Meet the Filmmakers series, in which we invite artists to create documentary portraits of directors they admire, sets out for a stroll with an underappreciated American master: Charles Burnett, the poetic realist behind...

Mar 23, 2017 Repertory PicksThis Friday and Saturday, the Belcourt Theatre, in Nashville, Tennessee, will screen British filmmaker Alex Cox’s 1984 debut feature, Repo Man, as part of its weekly midnight movie program. Pulsing with the rhythms of Iggy Pop, Black Flag, and...

Vive la Vérité!

Sneak Peeks

Feb 28, 2013 Chronicle of a Summer, a sui generis 1961 collaboration between sociologist Edgar Morin and documentary filmmaker and anthropologist Jean Rouch, is considered a pioneering work of cinéma-vérité. That term—coined by Morin himself—gets thrown around a lot, but what does it really mean?...

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