The Criterion Collection
Sep 28, 2010 — “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...
Short Takes
May 11, 2010 — The great Japanese actor Kei Sato passed away last week; he was eighty-one years old. You may not recognize Sato’s name, but if you’ve seen a Japanese film in the past fifty years, there’s a reasonably good chance you’ve fallen,...
Apr 20, 2010 — In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...
Jun 22, 2009 — So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it. Alain Resnais’ second feature has been lavishly praised and royally...
Feb 16, 2004 — Ronald Neame’s Tunes of Glory (1960), which was widely admired when it was first released, has subsequently kept a low profile. This says more about critical attitudes and British film culture than it does about the quality of the movie....
The Daily
May 21, 2019 — Willem Dafoe and Robert Pattinson star in a two-hander that’s scoring some of the best reviews at this year’s festival.
Jul 13, 2016 — The Oscar-nominated documentarian discusses Resnais’s film—made in 1955, ten years after the liberation of the Nazi concentration camps—which was one of the first to confront the devastation of the Holocaust.
Dec 17, 2025 — Tommy Dorfman is a writer, director, producer, and actress whose work encompasses film, television, and theater. She wrote, directed, and produced her feature debut, I Wish You All the Best—starring Corey Fogelmanis, Alexandra Daddario, Cole Sprouse, and Lena Dunham—which was...
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...