In a Corner

Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.

Apr 22, 2014 — Carl Theodor Dreyer’s spare and modern visual style perfectly complements this comic and soulful domestic comeuppance story.

Aug 27, 2013 — Ernst Lubitsch’s World War II–era high-wire act is a profound take on the absurdity cruelty of civilization and a perfect black comedy to boot.

Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.

Oct 23, 2012 — After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.

Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.

Feb 2, 2011 — These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy.   Colleen Murphy After we decided to...

Sep 16, 2010 — Seven years ago, I was a bright-eyed recent university grad who had just moved to the big city—Toronto—for the first time. I was struggling to find my path as a filmmaker, and at the Toronto International Film Festival that year,...

Aug 18, 2010 — Before Marcel Camus’ Black Orpheus showed up on American and European screens in 1959, what would later be known as the “art film” came in only a few shades of glum: Bergmanesque existentialism, Japanese samurai tragedy, stories of Italian peasant...

Apr 27, 2010 — From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...