I Believe

Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.

Sep 5, 2019 — Critics split three ways: Joker is just plain great, or great but dangerous, or dangerous and also really quite bad.

Aug 23, 2019 — After more than three decades in front of the camera, Natasha Lyonne understands a thing or two about what makes on-screen charisma. Previously best known for her early-career performances in films like Slums of Beverly Hills and But I’m a Cheerleader, she has in...

Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.

Mar 1, 2019 — Claire Simon begins her new documentary The Competition with a shot of young filmmakers chatting outside the locked gates of La Fémis, the most prestigious film school in France, patiently awaiting an opportunity to be judged by a panel of...

Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.

Aug 31, 2018 — And a pillar of American film criticism falls.

May 8, 2018 — Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

May 4, 2018 — Cannes 2018 Long Day’s Journey Into Night, courtesy of Wild Bunch This year marks two notable anniversaries for Un Certain Regard. The section, which runs parallel to the competition at the Cannes Film Festival, was inaugurated forty years ago, in...

Mar 28, 2018 — “Forty-seven years young,” writes the staff at Slant, “New Directors/New Films—programmed by the Film Society of Lincoln Center and the Museum of Modern Art—is an eclectic, geographically far-flung survey of bourgeoning filmmaking talent, and more than ever, this year’s lineup...