I Am

Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.

Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Jul 5, 2022 — A Reverse Shot roundtable and the new issue of Cinema Scope delve into Crimes of the Future.

Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

Jun 8, 2022 — A major figure in contemporary Hindi literature pays tribute to Guru Dutt in this fantasia that reimagines the great filmmaker’s death.

May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.

May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

Apr 19, 2022 — With the extraordinary success of Drive My Car on the global festival and awards circuit, director Ryusuke Hamaguchi has emerged as one of the most beloved filmmakers in the world. In honor of today’s announcement of our upcoming edition of the movie,...