Good Time

Nov 7, 2025 — Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.

Jul 19, 2024 — We’re looking back to films by Pakula and Oshima, and from the 1990s, by Claire Denis and Richard Shepard.

Jun 12, 2024 — This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Feb 17, 2023 — Born and raised far from the centers of power in the movie industry, writer-director Glen Pitre began his career in the 1980s as a DIY filmmaker, showing his homemade productions to audiences in his native Louisiana. But when a powerful...

Jan 4, 2019 — The new year brings us new issues of Cinema Scope, Film Comment, the DGA Quarterly, and World Records.

Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.

Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.

May 20, 2017 — “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...

Apr 5, 2021 — For the first time, all four individual film acting prizes have gone to people of color.

Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.